Looking into the distance, at a small group of houses on Vitosha I had a small window of 19:50 and 20:20 to get some work in before the sky went orange and the trees lost colour. Will have to return to this later 😉
A quick oil pastel from the balcony on a Sunday afternoon. I’m lucky to have Vitosha as a subject at anytime
Atop Vitosha this one afternoon a few weeks ago. Rocks from a distance are a struggle of mine. I was burnt to a crisp during this sitting. It’s a great temp for Sennelier oil pastels though.
After a day walking around Sofia scoping out the art supply shops I have come to terms that there is no Sennelier oil pastels out there. So I sat on a bench to finally tackle a church that I have wanted to draw for about a year and consequently run out of white. I know it looks like I’m over indulging with the creative licence but the camera was totally failing to capture the luminosity of the light on the trees .When I left I realised that I had left a big smudge of Naples yellow (my fav) on the bench. It was a relief that the woman sitting next to me offered up a tissue without prompt. That was nice.
When on a weekend trip to Rila I had to squeeze in the opportunity to draw the view from the hotels terrace. Thought it might be a simple undertaking to start with but the constant shift of light and the need to convey distance was a trouble. Overall a good session. I feel like my oil pastels are less drawing or painting and more finger-painting.