Sketchbook – Concrete tent/bbq (Oil pastel on paper)

Landscapes and scenes, Landscapes and scenes, Pleinair

Settled down, post walk, to do a quick sketch of this concrete tent/bbq on Vitosha. Definitely got a study out of it  I reckon

Sketchbook – Plovdiv (oilpastel on paper)

Landscapes and scenes, Landscapes and scenes, Pleinair

Oil pastel sketch in Plovdiv whist the girlfriend gets her nails done. I was eaten alive by mosquitoes during this sitting. Worth it though.

Sketchbook – Atop Vitosha (oil pastel on paper)

Landscapes and scenes, Landscapes and scenes, Pleinair

Atop Vitosha this one afternoon a few weeks ago. Rocks from a distance are a struggle of mine. I was burnt to a crisp during this sitting. It’s a great temp for Sennelier oil pastels though.

Sketchbook – Ostuni living (oil pastel on paper)

Landscapes and scenes

Got a couple of sittings in between tourism and wedding during a holiday in Italy a couple of months back. Our apartment in the city walls of Ostuni meant I only had to walk down the stairs and turn round to find a spot to draw. There’s so much to draw here it warrants another return

Sketchbook – Life drawing Candid arts (June 20th 2019)

Life Drawing and Painting

The last time I went life drawing feels like an age from now. Whilst back in London in June for a few days I popped into candid (Tuesday) to get in a spot of life drawing. It had been ages and I was without my paints this time so I just relaxed with charcoal. During the final pose I alternated between two angles and ended up dancing very differently on each one

1> I started with this front view. I initially spent 5 mins working very angular. I had no inspiration for flow (often a personal problem I have with very slim models) so I resorted to move to a foreshortened view on the other side of the room

2> From a foreshortened view I had more room for flow. Choosing to work on shadow and shape I found interesting areas in the right foot and the positioning of the knee. I also added the models comfortably cushions. Which are lost in the first view.  I can this imagine is quite hard to ascertain if you are not told what it is

1> with some time left I moved back to the first position. With my mind already settled on the relief that I have completed something I like I decided to continue with this abrasive approach the view in front of me. Finally I began to understand that the composition required the umbrella, so I added it albeit in a very bold descriptive way